It feels like it’s been 84 years but the month of March has finally come and gone. Who else has lost all sense of time and meaning?
A new thing I’m planning on introducing to this blog is something called Book Prescriptions, and what that means is that instead of the typical “month in reviews” I used to do, I was inspired to find books that I’ve read that could fit the mood or vibe I felt throughout the previous month. Thus, these will be book prescriptions for said feelings. My plan is to stick to four main emotions each month and recommend a book accordingly, all following Robert Plutchik’s theory on emotions, but hope to include other theories like Charles Darwin’s in the future. You know, if we go back to feeling positive emotions, that is.
I wish that I had a better month to kick this off for instead of the hell we all just went through, but it can’t get any worse…can it?
Fear → feeling of being afraid, frightened, scared.
Seventeen-year-old Aderyn (“Ryn”) only cares about two things: her family, and her family’s graveyard. And right now, both are in dire straits. Since the death of their parents, Ryn and her siblings have been scraping together a meager existence as gravediggers in the remote village of Colbren, which sits at the foot of a harsh and deadly mountain range that was once home to the fae. The problem with being a gravedigger in Colbren, though, is that the dead don’t always stay dead.
The risen corpses are known as “bone houses,” and legend says that they’re the result of a decades-old curse. When Ellis, an apprentice mapmaker with a mysterious past, arrives in town, the bone houses attack with new ferocity. What is it that draws them near? And more importantly, how can they be stopped for good?
Together, Ellis and Ryn embark on a journey that will take them deep into the heart of the mountains, where they will have to face both the curse and the long-hidden truths about themselves.
Sadness → feeling sad. Other words are sorrow, grief (a stronger feeling, for example when someone has died)
When Bree Prescott arrives in the sleepy, lakeside town of Pelion, Maine, she hopes against hope that this is the place where she will finally find the peace she so desperately seeks. On her first day there, her life collides with Archer Hale, an isolated man who holds a secret agony of his own. A man no one else sees.
Archer’s Voice is the story of a woman chained to the memory of one horrifying night and the man whose love is the key to her freedom. It is the story of a silent man who lives with an excruciating wound and the woman who helps him find his voice. It is the story of suffering, fate, and the transformative power of love.
Surprise → being unprepared for something.
Come on, Bayview, you know you’ve missed this.
A ton of copycat gossip apps have popped up since Simon died, but in the year since the Bayview four were cleared of his shocking death, no one’s been able to fill the gossip void quite like he could. The problem is no one has the facts.
This time it’s not an app, though—it’s a game.
Truth or Dare.
Phoebe’s the first target. If you choose not to play, it’s a truth. And hers is dark.
Then comes Maeve and she should know better—always choose the dare.
But by the time Knox is about to be tagged, things have gotten dangerous. The dares have become deadly, and if Maeve learned anything from Bronwyn last year, it’s that they can’t count on the police for help. Or protection.
Simon’s gone, but someone’s determined to keep his legacy at Bayview High alive. And this time, there’s a whole new set of rules.
Anticipation → in the sense of looking forward positively to something which is going to happen
From Morgan Matson, the bestselling author of Since You’ve Been Gone comes a feel-good story of friendship, finding yourself, and all the joys in life that happen while you’re busy making other plans.
Andie has a plan. And she always sticks to her plan.
Future? A top-tier medical school.
Dad? Avoid him as much as possible (which isn’t that hard considering he’s a Congressman and he’s never around).
Friends? Palmer, Bri, and Toby—pretty much the most awesome people on the planet, who needs anyone else?
Relationships? No one’s worth more than three weeks.
So it’s no surprise that Andie’s got her summer all planned out too.
Until a political scandal costs Andie her summer pre-med internship, and lands both she and Dad back in the same house together for the first time in years. Suddenly she’s doing things that aren’t Andie at all—working as a dog walker, doing an epic scavenger hunt with her dad, and maybe, just maybe, letting the super cute Clark get closer than she expected. Palmer, Bri, and Toby tell her to embrace all the chaos, but can she really let go of her control?